There is almost no better setting for a horror film than within the walls of a house, and because it’s the place we feel safest, the genre has been exploiting them for a very long time. Directing tandem Aaron and Austin Keeling’s The House on Pine Street is another addition to the storied tales of a haunted house, one with a deep focus on subtle scares and a creeping atmosphere. In the film, a very pregnant Jennifer reluctantly returns to her hometown after an unexpected mental breakdown, where she moves into a house that starts to toy with her sanity.
Aaron and Austin Keeling’s haunted house story is a very simple, straightforward one. We’ve all seen it before—a young married couple with a baby on the way move into a charming little house, and just as soon as the lights go out on that first night, their new home goes to work on Jennifer’s fragile mind. It’s an all too familiar formula with a handful of predictable tropes that, unfortunately, The House on Pine Street falls victim to throughout its narrative. It’s lack of thinking outside the box coupled with stock-style storytelling hurts what was otherwise a fantastic, simplistically creepy approach to the genre. That was the main issue here, too, because it’s ultimately a story we’ve already heard before.
Story aside, where The House on Pine Street really hits its stride is its ability to make you feel like you’re actually in a house with something sinister stirring behind the walls. Aaron and Austin Keeling create an atmosphere grounded in a sense of realism, delivering a refreshing brand of scares that will make your skin crawl. The directors give their film plenty of room to breathe, letting the terror come naturally by building uneasy tension throughout the entire narrative. It never gets too ambitious or far-reaching, instead it roots itself in this very believable world with fundamental scares to match. The House on Pine Street takes an almost quiet approach to creating scares, resulting in the kind of horror that sneaks up on you and does a cold dance through your nerves.
There are so many haunted house movies that feel like it’s necessary to reveal all of its secrets rather than allowing the mystery of the house sink its claws into the audience. That’s part of what makes the haunted house genre have such an impact—not knowing who, or what, those random bumps in the night belong to. That was one of The House on Pine Street’s major strengths, too, was the way it manipulates the mystery of the house into Jennifer’s questionable sanity. Is the house really haunted or is she just going crazy? Most of the film’s runtime is dedicated to toying with that very question, adding a nice psychological twist to the story.
While The House on Pine Street leans on familiar ideas, it’s in that simplicity that it finds a special place in the haunted house genre. Don’t expect grand ideas and over-the-top scares because that’s not what this film is about, it’s about the idea of a house turning on the people who call it home. It’s a reminder that simple can be scary, too, and that sometimes the scariest things are a soft knocking on the door.
15 thoughts on “Review: The House on Pine Street, who’s that knocking?”
Sounds like something I’d definitely consider watching.
It’s a very simple and classic approach to the age old haunted house story, so it’s definitely worth a go when you get a chance to check it out!
Thanks for the recommendation and heads up.
Ryan this looks good, I love a good haunted House story as long as it all makes sense. I will be seeing this one.
Hope you like it, Penny!
Never heard of this one. Will give it a shot. Been watching some really crappy low brow horror (even for the genre) recently. This sounds ok. Thanks for the head’s up!
I feel ya, man. There’s certainly a lot of that going around these days.
Reblogged this on House of Horrors.
I’m glad a horror aficionado such as yourself points out that there are an almost overabundance of haunted house-flavored horrors. Still, you’ve made it sound this one does just enough right for me to give it a go. Great review Ryan.
Thanks, man! Yeah, it’s a genre that we see a bit too much these days so it’s nice to see a simple approach to it like this one takes.
Just got done watching it and I’m rather let down by it. There is beauty in the simplicity though, and I did appreciate the slow burn. But only to a point. There just wasn’t enough closure here to make me feel like the hour and a half of waiting was worthwhile. Emily Goss was pretty good though.
Yeah for sure, the ending just isn’t as strong as the rest of the movie. I really enjoyed how simple the scares are though, it never feels cheap or gets bogged down by bad CGI.
Indeed. There was a great build-up for sure. and shit me, that Emma Goss was a cutie
Looks like they made a simple film that held its own! Nice write up Ryan!