The Month in Horror Releases: February

Indie horror continues to dominate the movie release slate with last month offering a handful interesting titles, and now there’s even more on the horizon for February. In fact, this month is kind of all over the place (in a good way): we’ll finally see the release of the long-talked about Winchester movie, the return […]

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The Month in Horror Releases: January

One of the most exciting things about this month is that it marks the beginning of a whole new year of horror and it’s starting off with some intriguing looking titles. We have a couple of festival favorites in Mom and Dad and The Strange Ones coming out later this month and a few indie […]

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The Month in Horror Releases: December

And just like that, we’re in our last month of horror for 2017—that shit is crazy. I wish I could say it was going out with a bang, but this month’s genre releases aren’t as strong as we’ve seen in previous months. That being said, there are still a handful of indie films on the […]

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The Month in Horror Releases: November

November is always kind of a drag. Not because the movie releases are bad necessarily, but it means October has come and gone, and so too has Halloween. But a new month means new movies, and November is shaping up quite nicely with the release of a couple of highly anticipated films as well as […]

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The Month in Horror Releases: October

I don’t even know where to begin with this month. It’s insanity, people. Every week of October is just loaded with genre films, making this Halloween even more special for horror fans. And not only are there just a shit ton of movies to look forward to this month, but a handful of some of […]

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The Month in Horror Releases: September

Although there may have been a few gems here and there, this summer season has been surprisingly slow for horror—there weren’t many movies that really stood out, which is why this month is so exciting. September brings with it what will likely be the biggest horror movie of the year in Andy Muschietti’s IT, Darren Aronofsky’s […]

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