Art: Child’s Play by Jérémy Pailler

One of the very few iconic horror franchises still going strong today is Don Mancini’s Child’s Play. This is by no means a slight against the film itself, but I doubt anyone ever expected this silly slasher to go on a 30-year run (and still counting). That’s impressive no matter how you look at it, which is […]

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Art: The Shining by Laurent Durieux

Nearly every frame of Stanley Kubrick’s The Shining is full of iconic imagery—it’s how you know the film’s a masterpiece—but if I had to pick just a single moment that stands out to me the most, it’s Danny Torrance riding his tricycle through the empty halls of the Overlook. Danny running into the twins is one […]

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Art: Halloween by Gary Pullin

John Carpenter’s all-timer carved an everlasting mark on horror when it debuted in 1978, which is why giving it praise in 2018 feels a lot like explaining to someone why oxygen is important—what more is there left to say about one of horror’s greatest films? While we may have run out of words to describe […]

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Art: Suspiria by Sara Deck

While most of the world still hasn’t seen Luca Guadagnino’s Suspiria, that hasn’t stopped Sara Deck from creating an absolute killer of a print for Mondo. On the heels of the film’s October 26th release, Mondo will be dropping what will surely be one of the best posters of the year some time in October—all you […]

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The Missing Reel artwork by Jérémy Pailler

I first started this website nearly 7 years ago (I know, right), and those of you who have been here since day one know that it has changed quite a bit over the years—even the name has changed, going from Rhinews (so, so lame) to Rhino’s Horror before finally landing on what you see here: The […]

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Art: Black Swan by Jack Hughes

When it comes to psychological horror, Darren Aronofsky’s Black Swan has to be up there with the very best. Its themes about perfection, adulthood, and inner demons just barely scratch at the surface of Aronofsky’s cerebral monster because much like the protagonist Nina, his film wears many faces. And although that complexity unravels like a […]

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